Scene 1- The Liquidation of the Ghetto
This is one of the most memorable scenes in the film as it graphically plays on the audiences emotions due to the violence and brutality shown towards the Jews by the Nazi's.
In this scene, micro features are the main element that highlight the emotion of the characters and actions. A lot of close up shots are used of Oskar Schindler and Itzhak Stern which shows their reactions of the ordeal. These close ups of Schindler are important as it is a turning point in the film when he finally decides to help the Jews. His reaction enhances how shocking the liquidation is by it being horrifying for a Nazi follower, it's hard to imagine just how horrible it is from a Jewish perspective.
A very important element in this scene is the use of colour. A little girl is shown in a red coat which engages the audience by her standing out against the mass of black and white. The little girl is oblivious to what is going on around her which allows her to freely move around the ghetto making her performance and movement more interesting. She is followed by Schindler's gaze wih close ups of him following her movements. This is important for a later point in the film when we see the little girl and Schindler again.
Macro features also emphasise emotion as this point of the film as there is an increase of violence to a point of no return. This violence foreshadows the violence that is yet to come which makes the scene more horrific.
There are several contextual factors that determine how an audience may react to the scene. Your nationality may affect your emotional response as if you were a German national, then your reaction may be more focused on racial guilt and you may have a stronger connection with the Germans rather than the Jews.
A Jewish decendant would have a completely different response as it would be a much more saddening experience.
Where this scene is positioned in the film is important as we, as the audience have become well acquainted with the characters making the scene more influential in our response. This links to Stuart Hall's theory as it encourages us to react a certain way.
Scene 2- Interviewing the Secretaries
This scene is where Schindler is portrayed as somewhat of a womaniser as he seems very interested in the young women being interviewed. This scene breaks up the serious mood of the pervious scenes by being more lighthearted making the film easier to watch. This also links to Stuart Halls theory via the positioning of the scene and its relationship within the film.
The macro features in this scene highlight Schindler as a flawed character by him being interested in other women when he has a wife at home. This flaw makes him a more relatable character as he is not idealistic.
Micro features in this scene focus on Schindler's performance and movement within the frame as well as a comic up beat score.
In the scene when Schindler is sat opposite the interviewees, after evey woman he moves closer in to the shot. The last woman is the least attractive but is the best typer and ironically, Schindler shows no interest in her and is shown sat slumped I. His chair far away from her in the shot.
There is a jump cut after every woman which shows the progress in time as well as the painters in the background moving around in the frame after each cut.